Pierre Patel was the outstanding French landscape painter of the seventeenth century, working in Paris, rather than Rome. He was strongly influenced by Claude Lorrain, but evolved his own rigorously classical idiom and was an important model …

Pierre Patel In this fantastical landscape, the holy family – the Virgin Mary, Joseph and Christ – pause on their journey beside a derelict Roman temple. Among crumbling columns and fragmented archways, niches with antique statues and carved reliefs remain intact.

Artist: Pierre Antoine Patel the Younger (French, Paris 1646–1707 Paris) Date: 1693. Medium: Gouache on vellum. Dimensions: 5 7/8 x 7 11/16 in. (14.9 x 19.5 cm) Classification: Drawings. Credit Line: Rogers Fund, 1961. Object Number: 61.170

The painting depicts the encounter between Judah and Tamar, related in the book of Genesis. Tamar, in disguise, seduces Judah (her father-in-law) and later gives birth to twins. Patel never visited Italy, but despite this his work is infused with the light, sweeping vistas and ancient ruins synonymous with that country.

Pierre Patel (1605 – 5 August 1676) was a French painter. Patel was born in Picardy and was admitted to the Guild of Saint-Germain-des-Prés in 1633 and the Académie de Saint-Luc in 1635. He primarily painted landscapes.

French landscape painter, active in Paris. He was a pupil of Vouet but worked in the manner of Claude, with whose paintings his own have sometimes been confused (although Patel's style is harder).

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Unlike Claude, Poussin, and Dughet, French painters who settled in Rome and painted the Italian landscape from first hand experience, Pierre Patel (1605-1676) built on the success of his expatriate contemporaries by depicting the Italian landscape as he imagined it from Paris.

Artist: Pierre Patel, I (French, c. 1605-1676) or Pierre Patel, II (French, 1648-1707)

Pierre Patel [French Baroque Era Painter, ca.1605-1676] Guide to pictures of works by Pierre Patel in art museum sites and image archives worldwide.