Despite Christopher Abbott’s commitment, director Leigh Whannell's 'Wolf Man' update proves too slow and serious to satisfy horror fans.

Director Leigh Whannell reinvents the monster myth in Blumhouse’s latest horror film.

Blumhouse's "Wolf Man" is looking to score $20 million at the box office on MLK weekend, a needed win for the horror studio.

The official Universal Pictures YouTube channel just recently dropped a behind the scenes video for a film that shows off some of the best horror work by Blumhouse Productions. The movie is called 'Wolf Man' and the exclusive behind the scenes look at the film can be watched below.

A review of 'Wolf Man' , a reboot of Universal's classic 1941 monster movie starring Christopher Abbott as man who morphs into wolf-like beast

A concept artist who worked on Leigh Whannell's Wolf Man has unveiled some of his alternate designs for the titular monster. Are they better, or worse? Have a look and let us

It's a new year and time for the most recent crop of horror movies that are going to creep out fans and get them talking. The new Blumhouse film Wolf Man arrives in theaters on Friday, January 17th, 2025, and its box office numbers are already looking strong.

Leigh Whannell follows ‘The Invisible Man’ with another update on a classic from the Universal archives, unfolding in an isolated farmhouse in the Pacific Northwest.

It’s a full moon at the box office. Universal and Blumhouse’s “Wolf Man” reboot has made $1.4 million in Thursday previews so far. As it opens this weekend, it faces off against Sony’s comedy “One of Them Days,

Horror movie remakes are nothing new. In the past 20 years, it seems like every major horror franchise has been remade or revitalized to fit modern times. It began with films like "Friday the 13th" (2009) and "A Nightmare on Elm Street" (2010) and has continued ever since.

An unusually weak MLK holiday weekend at the box office was led by One of Them Days and Mufasa being neck-and-neck for the number one spot.

Leigh Whannell's Wolf Man may take a simplistic approach, but its ending opens up a great deal of meaning for Christopher Abbott's tragic monster.